THE ONE CLUB FOR CREATIVITY VISUAL IDENTITY TOOL Este proyecto fue desarrollado para The One Club for Creativity, en el marco de la prestigiosa Creative Week 2025, celebrada del 12 al 16 de mayo en […]
Los pueblos indígenas del Amazonas han asumido históricamente el rol de guardianes de la selva, no solo como espacio físico, sino como tejido vivo de memoria, espiritualidad y reciprocidad con la tierra.
THE TYPE DIRECTORS CLUB | THE ONE CLUB FOR CREATIVITY IDENTIDAD VISUAL Identidad visual diseñada para el evento Multilingüe. Escritura y tipografía para lenguas nativas de América Latina. “El adjetivo multilingüe se refiere a quien […]
Sara. Shaa. Maíz. Corn El maíz (shaa) ha ocupado un lugar fundamental en las culturas indígenas del Ecuador, no solo como base alimentaria sino como símbolo de fertilidad, abundancia y renovación cíclica. En la cultura […]
There is no excerpt because this is a protected post.
Cartel que forma parte del libro Bauhaus Typography at 100 publicado por Letterform Archive.
Diseño de signo identificador para el Centro de interpretación Shuar. SHUARNUM. Identifier sign design for the Shuar Interpretation Center.
There is no excerpt because this is a protected post.
Interview for @computerartsmag in the segment Project diary: A new regular Fixture in motion, that came out in January of this year (2019), where I share pages with @sudtipos talking a little about the process that I did for the animations of Fixture Typeface that were the promos that come out before Fixture was published last year.
We are very happy to announce that the Kinetic Specimen we have animated to present the Fixture family has received a Certificate of Excellence from the Type Directors Club of New York. Alejandro Paul and Vanessa Zúñiga were part of the team of designers. Sudtipos received the certificate of excellence for this project.
