Experimentando con la app de www.jeonghopark.de para escuchar el sonido escondido de las fuentes y patrones de algunos registros del proyecto de investigación “Abya Yala. Crónicas Visuales”.
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CHARLA: ABYA YALA. CRÓNICAS VISUALES PORTOVIEJO, MANABÍ, ECUADOR A journey through different accounts of the worldview of our ancestral cultures told through typographic experiments, where it will be shown that the visual signs found in […]
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Nuestros Dingbats del proyecto de investigación “Crónicas Visuales del Abya Yala” presentes en la publicación de Fontself 2019.
CHARLA: MODULARITY CALI, COLOMBIA Ability of a system to be understood as the union of several elements that are united to each other and that are solidary, that is to say, each one fulfills a […]
Un acercamiento de Código Valdivia. Fase Cosmograma en @revista_trama Nro. 154 Arquitectura en ladrillo.
CHARLA: EL ORIGEN GUAYAQUIL, ECUADOR Código Valdivia corresponde al Registro Nro.86 del proyecto de investigación “Crónicas Visuales del Abya Yala” que la diseñadora Vanessa Zúñiga realiza desde hace 15 años. El 11 de julio estaré […]
Código Valdivia corresponde a la primera fase del Registro Abya Yala Nro.86, es un juego morfológico de tipografía verbal y no verbal que parte del análisis de la piedra denominada Cosmograma perteneciente a la cultura […]
Nature dingbat is composed of six fonts, Leaves & Flowers, Monstera, Animals, Sea, People and Letters . Nature are illustrations in .otf format that were added to the Brownstone Slab font of Sudtipos with the […]
“Desde Loja Ecuador, Vanessa Zúñiga juega con las fronteras de la tipografia inventando un nuevo lenguaje visual que toma directamente sus raíces en las escrituras precolombinas. La diseñadora mezcla historia, antropología y diseño en un […]
PARÍS, FRANCIA Embroidered Typographic Specimen was presented in Paris in February 2019 at the Ecole Intuit Lab – Ecole de design & communication visuelle, where I gave a talk and a workshop on modular typography […]
Interview for @computerartsmag in the segment Project diary: A new regular Fixture in motion, that came out in January of this year (2019), where I share pages with @sudtipos talking a little about the process that I did for the animations of Fixture Typeface that were the promos that come out before Fixture was published last year.
We are very happy to announce that the Kinetic Specimen we have animated to present the Fixture family has received a Certificate of Excellence from the Type Directors Club of New York. Alejandro Paul and Vanessa Zúñiga were part of the team of designers. Sudtipos received the certificate of excellence for this project.
