November 20, 2019
Nuestros Dingbats del proyecto de investigación “Crónicas Visuales del Abya Yala” presentes en la publicación de Fontself 2019.
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November 2, 2019
CHARLA: MODULARITY CALI, COLOMBIA Ability of a system to be understood as the union of several elements that are united to each other and that are solidary, that is to say, each one fulfills a […]
October 10, 2019
Un acercamiento de Código Valdivia. Fase Cosmograma en @revista_trama Nro. 154 Arquitectura en ladrillo.
July 11, 2019
CHARLA: EL ORIGEN GUAYAQUIL, ECUADOR Código Valdivia corresponde al Registro Nro.86 del proyecto de investigación “Crónicas Visuales del Abya Yala” que la diseñadora Vanessa Zúñiga realiza desde hace 15 años. El 11 de julio estaré […]
July 7, 2019
Código Valdivia corresponde a la primera fase del Registro Abya Yala Nro.86, es un juego morfológico de tipografía verbal y no verbal que parte del análisis de la piedra denominada Cosmograma perteneciente a la cultura […]
June 6, 2019
Nature dingbat is composed of six fonts, Leaves & Flowers, Monstera, Animals, Sea, People and Letters . Nature are illustrations in .otf format that were added to the Brownstone Slab font of Sudtipos with the […]
April 30, 2019
“Desde Loja Ecuador, Vanessa Zúñiga juega con las fronteras de la tipografia inventando un nuevo lenguaje visual que toma directamente sus raíces en las escrituras precolombinas. La diseñadora mezcla historia, antropología y diseño en un […]
March 3, 2019
PARÍS, FRANCIA Embroidered Typographic Specimen was presented in Paris in February 2019 at the Ecole Intuit Lab – Ecole de design & communication visuelle, where I gave a talk and a workshop on modular typography […]
March 3, 2019
Interview for @computerartsmag in the segment Project diary: A new regular Fixture in motion, that came out in January of this year (2019), where I share pages with @sudtipos talking a little about the process that I did for the animations of Fixture Typeface that were the promos that come out before Fixture was published last year.
We are very happy to announce that the Kinetic Specimen we have animated to present the Fixture family has received a Certificate of Excellence from the Type Directors Club of New York. Alejandro Paul and Vanessa Zúñiga were part of the team of designers. Sudtipos received the certificate of excellence for this project.
February 6, 2019
Cartel para mostrar la fuente Criollabat. Fontself, 2019. +INFO
January 26, 2019
Sara es una fuente que nace del análisis de los signos visuales de un aríbalo (periodo incaico), específicamente del signo que representa al maíz.
November 30, 2018
Charla en el Congreso Córdoba Ciudad Diseño realizado en Córdoba, Argentina. 2018. https://amuki.com.ec/wp-content/uploads/2018/11/vanessazuniga_opt.mp4 https://amuki.com.ec/wp-content/uploads/2018/11/video_vanessazuniga_adec.mp4
November 25, 2018
Página diseñada para el libro de invitados de la Bienal del Cartel de Bolivia BiCeBé 2017 en honor a Ecuador como país invitado.
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