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CHARLA: ABYA YALA. CRÓNICAS VISUALES PORTOVIEJO, MANABÍ, ECUADOR A journey through different accounts of the worldview of our ancestral cultures told through typographic experiments, where it will be shown that the visual signs found in […]

November 2, 2019

CHARLA: MODULARITY CALI, COLOMBIA Ability of a system to be understood as the union of several elements that are united to each other and that are solidary, that is to say, each one fulfills a […]

July 11, 2019

CHARLA: EL ORIGEN GUAYAQUIL, ECUADOR Código Valdivia corresponde al Registro Nro.86 del proyecto de investigación “Crónicas Visuales del Abya Yala” que la diseñadora Vanessa Zúñiga realiza desde hace 15 años. El 11 de julio estaré […]

July 7, 2019

Código Valdivia corresponde a la primera fase del Registro Abya Yala Nro.86, es un juego morfológico de tipografía verbal y no verbal que parte del análisis de la piedra denominada Cosmograma perteneciente a la cultura […]

June 6, 2019

Nature dingbat is composed of six fonts, Leaves & Flowers, Monstera, Animals, Sea, People and Letters . Nature are illustrations in .otf format that were added to the Brownstone Slab font of Sudtipos with the […]

Interview for @computerartsmag in the segment Project diary: A new regular Fixture in motion, that came out in January of this year (2019), where I share pages with @sudtipos talking a little about the process that I did for the animations of Fixture Typeface that were the promos that come out before Fixture was published last year.

January 26, 2019

Sara es una fuente que nace del análisis de los signos visuales de un aríbalo (periodo incaico), específicamente del signo que representa al maíz.

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